Antipodean Fantasy

Random Australiana

'The Spirit of Mischief' by Margaret Clark (mid-1920s)

'The Florist Shop' by Margaret Clark (mid-1920s)

'She saw a little witch dance past', by Ida Rentoul Outhwaite
in 'The Lady of the Blue Beads' (1908)

'The Little Witch' by Ida Rentoul Outhwaite in 'Elves & Fairies' (1916)

'Autumn Fairy' by Ida Rentoul Outhwaite in 'Elves & Fairies' (1916)

'Flower Frocks' by Ida Rentoul Outhwaite in 'The Enchanted Forest' (1921)

'Periwinkle Painting the Petals' by Ida Rentoul Outhwaite
in 'The Little Fairy Sister' (1923)

'Gum Leaves' by Ethel Turner (1900)

Magazine cover by May Gibbs (1914)

This May Gibbs poster was for the first Infant Welfare campaign by the NSW Health Department (before 1920 I think). Perhaps of much greater significance is the symbolism of juxtaposing an imported traditional figure (stork) with the local kookaburra. It speaks volumes both in terms of a generation of illustrators gaining confidence with adopting a new local visual language and, even if unintentional, I think the picture offers a revealing insight into the national psyche that continues to resonate today.

Australia's physical isolation and relative young age as a nation, as well as its modest population size has always engendered a certain lack of confidence in our competing - one way or another - in the wider world. It's strange to even think about it, let alone admit it in public, but it's absolutely true. We feel slightly intimidated, a little unsure of where we fit in and desirous of being told we are ok. Don't get me wrong, this national inferiority complex^¶ has a lot of benefits too, particularly in the way our arts industry has evolved; it has inspired an amazingly unique film industry for one and possibly accounts for our industrial-strength obsession with sport. There are sociological Honors projects buried in that there image, I'm sure. Or maybe *I* am seeing too much.
¶ That description comes with the caveat that it is a deep background, almost unconscious resonance, and is receding, ever so slightly, as time goes by.

Rare dustjacket for a 1920 comic book by May Gibbs.

Bookcover of 'The Billibonga Bird' by Harold Gaze* (1919)

'Scared of the Kewpies' by Olga Cohn (1920s)

Cover image of 'The Lone Hand' (1909) by DH Souter
(the cat featured in a lot of his illustration work)

"The Lone Hand began as an ambitious project, an all-Australian magazine of broad scope and high quality, by the standards of the time. Later in the war years, it declined in value and prestige, and went through changes in policy in the attempt to regain its leading position. It published an amount of early science fiction."

'My Little Son, Dandelion' by Ethel Jackson Morris*
in 'The White Butterfly and other Fairy Tales' (1921).

'Children in a Tree' by Ethel Spowers (1927)

'The Witch and the Giant' by Christian Yandell in 'The Gates of Dawn' (1930s)

'The beauty of the garden took her breath away'
by Pixie O'Harris in 'Pearl Pinkie and the Sea Greenie' (1935)

"I will not have Cow-fish in my garden!" by Pixie O'Harris
in 'Pearl Pinkie and the Sea Greenie' (1935)

Stylistically very similar to May Gibbs from whom O'Harris inherited the mantle of leading children's book illustrator. They are probably the two most famous artists arising out of those early decades of the 20th century but O'Harris' career spanned more than sixty years (she ceased illustrating in the 1980s).

1890s children's book publication by W Cole

All images are assumed to be © the estates of the respective artist.

These pictures were scanned a while back from a couple of secondary compilation books on loan, but I'm afraid I've lost the book titles.

The first four decades of the 20th century were the 'golden age' of Australian book illustration, particularly in the fantasy - [a word applied loosely to some of the above examples]- genre. The above array is nowhere near comprehensive and I've intentionally left out Dorothy Wall, for instance, who will turn up in a dedicated post somewhere along the line in the future. Even if you didn't own works by the most famous of the Australian fantasy illustrators (I didn't...I don't think), many of their characters were - are - an inescapable part of the visual patchwork in the background, growing up here. Not too shabby really.

• Previously: Snugglepot and Cuddlepie (May Gibbs)
• Previously: The Magic Lindsay (Norman Lindsay - not seen above, but a hugely important figure both in book illustration and Australian art in general)
• Ida Rentoul Outhwaite.
• Margaret Clark.
• DH (David Henry) Souter.
• Ethel Spowers.
• Pixie O'Harris.