Selasa, 02 Desember 2008

Comparative Breast Anatomy

"Whilst the changes for the reproduction of the species are proceeding in the uterus, Nature is not unmindful or regardless of the wants of the offspring so soon as it shall be born; but in all the class Mammalia she has provided glands to supply bountifully, by the secretion of milk, that nourishment which the young animal will require soon after it begins to breathe.

The Breasts, or Mammae, are formed for this purpose; and soon after the commencement of utero-gestation, they begin to receive an additional supply of blood to prepare for the new secretion; and thus, by an admirable foresight, when the link which united the offspring to the mother is broken, a new and entirely different mode of nutrition is substituted for that which it had previously received."


colour schematic of human female breast glandular anatomy

"Mammary ducts injected with red, yellow, black, green and brown wax." (detail)



Ducts and Glandules (Cooper, 1840)

'Ducts and Glandules'

Regarding the figure on the right:
"Ducts injected more minutely with yellow, red, green, blue and black [wax]. This preparation shows two additional circumstances: -First, the glandules from which the ducts begin are seen filled with wax. Secondly, at the lower part of the preparation the separate ducts are seen passing above and beneath each other, to render the breast a cushion; whilst at the upper part the ducts are single."



The Nipple in its Changes (Cooper, 1840)

'The Nipple in its Changes'

These figures represent subjects aged from two through to old age. The examples in the first row are from pre-pubescent girls. Various influences - pregnancy, lactation, multiple or no offspring and menopause - are said to affect the appearance of the remaining figures. A few of these nipple drawings were derived from cadavers. It all seems fairly random, although obviously meant - from the accompanying notes - as a general guide to physiological and appearance changes. [this plate in particular has been extensively background cleaned]



Ligaments Suspensoria and Sections (Cooper, 1840)

'Ligamenta Suspensoria and Sections'

Seen most specifically in the middle figure, ligamenta suspensoria (aka Cooper's ligaments*, after the author of this book) is a network of fibrous connective tissue throughout the breast. It provides structural support for all the anatomical components and is responsible for giving the breast its characteristic shape.



Ducts, Glandules and Cells (Cooper, 1840)

'Ducts, Glandules and Cells'

The top figure shows wax-injected milk ducts leading from small secretory glandules to the nipple. The bottom figure is a magnified version of one of those tracts and the middle drawings show the glandules at higher magnification again.



Arteries and Veins (Cooper, 1840)

Arteries and Veins



Arteries and Veins a (Cooper, 1840)

Arteries and Veins

In both of these images, arteries are shown in red and veins in yellow. That large figure at bottom in the second image is a complicated drawing of a subject facing towards us. It is attempting to show the route of both shallow and deep blood vessels in relation to the ribs. A section of the collar bone can be seen at the top and the edge of the sternum is on the right: therefore, this is a view of the circulation in the right breast. (the nipple is of course the white circle near the bottom of the image)



Ducts, Reservoirs and Glandules (Cooper, 1840)

'Ducts, Reservoirs and Glandules'

The lactiferous tubes (milk ducts), injected with wax, in a deceased subject who was lactating at the time of her death.



Showing first the size of the gland at different ages (Cooper, 1840)

'Showing first the size of the gland at different ages'

The plate shows the cross sectional appearance of the mammary gland from about one to eleven years of age (across the top row). The central large figures on the page depict the gland size in subjects from age thirteen (at the top) to twenty four years. Details on either side show the magnified foliate appearance of the papillae of the nipple. There are also drawings of dissected ducts at the nipple terminus and sections showing the incredible abundance of minute blood vessels at the nipple surface.



The External Appearance of the Nipple in the Male at Different Ages (Cooper, 1840)

"This plate is intended to show the external appearance of the nipple in the male at different ages, the internal appearance of the gland as covered by its fascia at different periods of life, the glands and the ducts of the male gland injected, and the gland and ducts of the foetus"

The illustrations with dark backgrounds are ducts of the male mammary gland after they have been injected with mercury which helps, like the wax in other images, to delineate and visualise the micro-structure.


[all illustrations above are of human anatomy]



The Mammary Gland of the Porpoise (Cooper, 1840)

'The Mammary Gland of the Porpoise'

"Divided into two glands, one placed on the right, and the other upon the left side of the anus and vulva."

"Professor Owen informs me that some milk which he obtained from a porpoise felt like butter upon the tongue."


The Dug of the Ass (Cooper, 1840)

'The Dug of the Ass'

"Shows the two teats of this animal’s udder. The teats at first sight appear single; but one in this injected dug contained three mamillary tubes, and the other contained only two. The glands are injected with wax, and form a foliage upon their surfaces. Glandules appear upon every part of this foliage, and in these the milk-cells are readily traced. At the roots of the teats are reservoirs, of large size, but not proportionably equal in magnitude to those of the cow, yet still capable of containing many ounces of milk." {the drawings at the top are of a deer's udder}
[see: Anatomy of a Mammary Gland in reference to animals]



The Guinea Pig and the Cat (Cooper, 1840)

'The Guinea Pig and the Cat'

The top three figures are from the guinea pig.



Showing the Udder of the Goat and the Mammary Gland of the Rhino (Cooper, 1840)

'Showing the Udder of the Goat and the Mammary Gland of the Rhino'

The top left image (magnified milk ducts and milk cells) and the bottom image (pair of teats, each with twelve mamillary orifices) belong to the rhino.



Shewing the Udder of the Ewe (Cooper, 1840)

'Shewing the Udder of the Ewe'

"There are in the ewe two teats, leading into two large glands, and there are sometimes imperfect teats behind. [..] The milk tubes of the teats open into a reservoir, capable of containing many ounces of milk, and a mucous membrane lines it, similar to that which lines the teat. Milk canals begin from the reservoirs, and these form a foliage on the surface of the gland."

Of the Milk of the Ewe: "It is abundant, and is sometimes used as the food of children. It forms a considerable quantity of cream. Its butter retains a large quantity of curd, and therefore it easily becomes rancid. Its cheese is rich but contains much oily matter."



Of the Mammary Gland in the Rabbit (Cooper, 1840)

'Of the Mammary Gland in the Rabbit'



'On the Anatomy of the Breast' 1840, by Sir Astley Paston Cooper, is hosted by Jefferson Digital Commons from Thomas Jefferson University in Philadelphia. The 2-volume book can be downloaded either as two large pdf files or each section/illustration plate can be downloaded separately. All the plates (extracted from the pdfs) - which includes a few more than those seen above - have been uploaded to this flickr set.


Sir Astley Paston Cooper (1768-1841) had a distinguished academic and surgical career in London. He made significant contributions to the anatomy of cerebral circulation, vascular surgery, amputation and hernia repair techniques and was appointed Professor of Comparative Anatomy at the Royal College of Surgeons (where he also had two terms as President). He published a number of surgical/anatomy books and his renown as a surgeon was rewarded with a royal appointment and knighthood.

One of the characteristics that set Cooper's work apart from his peers was his rigid scientific approach, which included, in the case of his treatise on breast anatomy, only reporting findings related to specimens and subjects that he himself had examined and prepared. So perhaps my "random" comment up above is out of place: in the introduction to this work he advocates that all surgeons ought to follow such rigorous practices to give greater legitimacy to their published findings.

That he was able to obtain human specimens at all in the early 19th century meant that Cooper had to deal with the so-called "resurrection men" who robbed graves to supply medical schools. Back then, the only cadavers legally available for research included criminals sentenced to death and dissection by courts.

'On the Anatomy of the Breast' was the first detailed analysis of the anatomy and physiology of the breast and was Cooper's last book.
  • Biography: one; two.
  • Just because it hit the radar: "The Global Library of Women’s Medicine has launched online and is freely available in beta at www.glowm.com. More than 650 world experts have provided a definitive resource on the latest therapeutic options in women’s medicine for doctors as well as for women who are concerned about their health. Medical professionals who register have access to additional resources." [via]
  • In general: links/summaries/bookmarks/feeds/twitter*new*

Comparative Breast Anatomy

"Whilst the changes for the reproduction of the species are proceeding in the uterus, Nature is not unmindful or regardless of the wants of the offspring so soon as it shall be born; but in all the class Mammalia she has provided glands to supply bountifully, by the secretion of milk, that nourishment which the young animal will require soon after it begins to breathe.

The Breasts, or Mammae, are formed for this purpose; and soon after the commencement of utero-gestation, they begin to receive an additional supply of blood to prepare for the new secretion; and thus, by an admirable foresight, when the link which united the offspring to the mother is broken, a new and entirely different mode of nutrition is substituted for that which it had previously received."


colour schematic of human female breast glandular anatomy

"Mammary ducts injected with red, yellow, black, green and brown wax." (detail)



Ducts and Glandules (Cooper, 1840)

'Ducts and Glandules'

Regarding the figure on the right:
"Ducts injected more minutely with yellow, red, green, blue and black [wax]. This preparation shows two additional circumstances: -First, the glandules from which the ducts begin are seen filled with wax. Secondly, at the lower part of the preparation the separate ducts are seen passing above and beneath each other, to render the breast a cushion; whilst at the upper part the ducts are single."



The Nipple in its Changes (Cooper, 1840)

'The Nipple in its Changes'

These figures represent subjects aged from two through to old age. The examples in the first row are from pre-pubescent girls. Various influences - pregnancy, lactation, multiple or no offspring and menopause - are said to affect the appearance of the remaining figures. A few of these nipple drawings were derived from cadavers. It all seems fairly random, although obviously meant - from the accompanying notes - as a general guide to physiological and appearance changes. [this plate in particular has been extensively background cleaned]



Ligaments Suspensoria and Sections (Cooper, 1840)

'Ligamenta Suspensoria and Sections'

Seen most specifically in the middle figure, ligamenta suspensoria (aka Cooper's ligaments*, after the author of this book) is a network of fibrous connective tissue throughout the breast. It provides structural support for all the anatomical components and is responsible for giving the breast its characteristic shape.



Ducts, Glandules and Cells (Cooper, 1840)

'Ducts, Glandules and Cells'

The top figure shows wax-injected milk ducts leading from small secretory glandules to the nipple. The bottom figure is a magnified version of one of those tracts and the middle drawings show the glandules at higher magnification again.



Arteries and Veins (Cooper, 1840)

Arteries and Veins



Arteries and Veins a (Cooper, 1840)

Arteries and Veins

In both of these images, arteries are shown in red and veins in yellow. That large figure at bottom in the second image is a complicated drawing of a subject facing towards us. It is attempting to show the route of both shallow and deep blood vessels in relation to the ribs. A section of the collar bone can be seen at the top and the edge of the sternum is on the right: therefore, this is a view of the circulation in the right breast. (the nipple is of course the white circle near the bottom of the image)



Ducts, Reservoirs and Glandules (Cooper, 1840)

'Ducts, Reservoirs and Glandules'

The lactiferous tubes (milk ducts), injected with wax, in a deceased subject who was lactating at the time of her death.



Showing first the size of the gland at different ages (Cooper, 1840)

'Showing first the size of the gland at different ages'

The plate shows the cross sectional appearance of the mammary gland from about one to eleven years of age (across the top row). The central large figures on the page depict the gland size in subjects from age thirteen (at the top) to twenty four years. Details on either side show the magnified foliate appearance of the papillae of the nipple. There are also drawings of dissected ducts at the nipple terminus and sections showing the incredible abundance of minute blood vessels at the nipple surface.



The External Appearance of the Nipple in the Male at Different Ages (Cooper, 1840)

"This plate is intended to show the external appearance of the nipple in the male at different ages, the internal appearance of the gland as covered by its fascia at different periods of life, the glands and the ducts of the male gland injected, and the gland and ducts of the foetus"

The illustrations with dark backgrounds are ducts of the male mammary gland after they have been injected with mercury which helps, like the wax in other images, to delineate and visualise the micro-structure.


[all illustrations above are of human anatomy]



The Mammary Gland of the Porpoise (Cooper, 1840)

'The Mammary Gland of the Porpoise'

"Divided into two glands, one placed on the right, and the other upon the left side of the anus and vulva."

"Professor Owen informs me that some milk which he obtained from a porpoise felt like butter upon the tongue."


The Dug of the Ass (Cooper, 1840)

'The Dug of the Ass'

"Shows the two teats of this animal’s udder. The teats at first sight appear single; but one in this injected dug contained three mamillary tubes, and the other contained only two. The glands are injected with wax, and form a foliage upon their surfaces. Glandules appear upon every part of this foliage, and in these the milk-cells are readily traced. At the roots of the teats are reservoirs, of large size, but not proportionably equal in magnitude to those of the cow, yet still capable of containing many ounces of milk." {the drawings at the top are of a deer's udder}
[see: Anatomy of a Mammary Gland in reference to animals]



The Guinea Pig and the Cat (Cooper, 1840)

'The Guinea Pig and the Cat'

The top three figures are from the guinea pig.



Showing the Udder of the Goat and the Mammary Gland of the Rhino (Cooper, 1840)

'Showing the Udder of the Goat and the Mammary Gland of the Rhino'

The top left image (magnified milk ducts and milk cells) and the bottom image (pair of teats, each with twelve mamillary orifices) belong to the rhino.



Shewing the Udder of the Ewe (Cooper, 1840)

'Shewing the Udder of the Ewe'

"There are in the ewe two teats, leading into two large glands, and there are sometimes imperfect teats behind. [..] The milk tubes of the teats open into a reservoir, capable of containing many ounces of milk, and a mucous membrane lines it, similar to that which lines the teat. Milk canals begin from the reservoirs, and these form a foliage on the surface of the gland."

Of the Milk of the Ewe: "It is abundant, and is sometimes used as the food of children. It forms a considerable quantity of cream. Its butter retains a large quantity of curd, and therefore it easily becomes rancid. Its cheese is rich but contains much oily matter."



Of the Mammary Gland in the Rabbit (Cooper, 1840)

'Of the Mammary Gland in the Rabbit'



'On the Anatomy of the Breast' 1840, by Sir Astley Paston Cooper, is hosted by Jefferson Digital Commons from Thomas Jefferson University in Philadelphia. The 2-volume book can be downloaded either as two large pdf files or each section/illustration plate can be downloaded separately. All the plates (extracted from the pdfs) - which includes a few more than those seen above - have been uploaded to this flickr set.


Sir Astley Paston Cooper (1768-1841) had a distinguished academic and surgical career in London. He made significant contributions to the anatomy of cerebral circulation, vascular surgery, amputation and hernia repair techniques and was appointed Professor of Comparative Anatomy at the Royal College of Surgeons (where he also had two terms as President). He published a number of surgical/anatomy books and his renown as a surgeon was rewarded with a royal appointment and knighthood.

One of the characteristics that set Cooper's work apart from his peers was his rigid scientific approach, which included, in the case of his treatise on breast anatomy, only reporting findings related to specimens and subjects that he himself had examined and prepared. So perhaps my "random" comment up above is out of place: in the introduction to this work he advocates that all surgeons ought to follow such rigorous practices to give greater legitimacy to their published findings.

That he was able to obtain human specimens at all in the early 19th century meant that Cooper had to deal with the so-called "resurrection men" who robbed graves to supply medical schools. Back then, the only cadavers legally available for research included criminals sentenced to death and dissection by courts.

'On the Anatomy of the Breast' was the first detailed analysis of the anatomy and physiology of the breast and was Cooper's last book.
  • Biography: one; two.
  • Just because it hit the radar: "The Global Library of Women’s Medicine has launched online and is freely available in beta at www.glowm.com. More than 650 world experts have provided a definitive resource on the latest therapeutic options in women’s medicine for doctors as well as for women who are concerned about their health. Medical professionals who register have access to additional resources." [via]
  • In general: links/summaries/bookmarks/feeds/twitter*new*

Jumat, 28 November 2008

Original Winnie The Pooh Drawings

Winnie-the-Pooh

Winnie the Pooh [Lot]



winnie the pooh halfway through a wall

"Pooh pushed and pushed and pushed his way through the hole..."



winnie the pooh halfway through a wall drawing

"Oh, help!" said Pooh. "I'd better go back."
"Oh, bother!" said Pooh. "I shall have to go on."
"I can't do either!" said Pooh. "Oh, help and bother!" [Lot]




christopher robin drags pooh bear up stairs

He nodded and went out ...and in a moment I heard Winnie-the-Pooh
– bump, bump, bump – going up the stairs behind him." [Lot]

"This original illustration is reproduced on page 159 of Winnie-the-Pooh and comprises a full-page illustration in the published volume. It represents one of the iconic images of Winnie-the-Pooh and comes from the final chapter in which Christopher Robin gives a Pooh party, and we say good-bye.




Oh Pooh, Do You Think It's A - A - A Woozle.

..."What do you see there?"
"Tracks," said Piglet. "Paw-marks..."
Oh, Pooh! Do you thinks it's a – a – a Woozle?"

"This original illustration is reproduced on page 34 of Winnie-the-Pooh from the chapter in which Pooh and Piglet go hunting and nearly catch a woozle. This is the first drawing in the sequence of hunting illustrations." [Lot]



'What.' Said Piglet, With A Jump

"What?" said Piglet, with a jump.

"This original illustration is reproduced on page 37 of Winnie-the-Pooh. It is from the chapter in which Pooh and Piglet go hunting and nearly catch a woozle. It is the third drawing in the sequence of hunting illustrations." [Lot]



A Happy New Year

A Happy New Year [Lot]



Christmas Greetings

Christmas Greetings

"This illustration of Eeyore with holly, Pooh with a jar of honey and Piglet with a Christmas cracker comprises the original illustration for the only known Christmas card created by E.H. Shepard featuring the A.A. Milne characters." [Lot]



Do You See Piglet. Look At Their Tracks!

"Do You See Piglet? Look At Their Tracks!"

"This original illustration is reproduced (at a different angle to the original) on page 38 of Winnie-the-Pooh. It is from the chapter in which Pooh and Piglet go hunting and nearly catch a woozle. It is the fourth and final drawing in the sequence of hunting illustrations." [Lot]



winnie the pooh with head in a honey jar

"...there was a little left at the very bottom of the jar,
and he pushed his head right in..."

"This original illustration is reproduced on page 64 of Winnie-the-Pooh. It is from the chapter in which Piglet meets a Heffalump.
The reverse of the drawing includes a note that this drawing was given by Shepard's daughter as a gift in 1974." [Lot]



He Went on Tracking, and Piglet ... Ran After Him.

"With these few words he went on tracking, and Piglet,
after watching him for a minute or two, ran after him..."

"This original illustration is reproduced on page 35 of Winnie-the-Pooh and comprises a full-page illustration in the published volume. It is from the chapter in which Pooh and Piglet go hunting and nearly catch a woozle. It is the second drawing in the sequence of hunting illustrations." [Lot]



I Saw a Heffalump Today Piglet

"...Christopher Robin finished the mouthful he was eating
and said carelessly: "I saw a Heffalump to-day, Piglet."

"This original illustration is reproduced on page 55 of Winnie-the-Pooh. It is from the chapter in which Piglet meets a Heffalump." [Lot]



I'm Not Throwing It, I'm Dropping It, Eeyore.

"I'm not throwing it, I'm dropping it Eeyore."

{"Pooh had got the biggest stone he could carry, and was leaning over the bridge, holding it in his paws."}

"This original illustration was reproduced on page 98 of The House at Pooh Corner and is from the chapter in which Pooh invents the game of Poohsticks. At this point Eeyore had fallen into the river and Pooh, Piglet and Rabbit were attempting to make waves to wash him to the bank." [Lot]



Just The House For Owl. Don't You Think So, Little Piglet.

"Just the house for owl. Don't you think so, little Piglet?"

"This original illustration was reproduced on page 159 of The House at Pooh Corner and is from the chapter in which Eeyore finds the Wolery and Owl moves into it. It shows Eeyore suggesting to Piglet that Piglet's house, the "Wolery", would be a perfect new home for Owl."



pooh bear, piglet and rabbit

"Lucky we know the forest so well or we might get lost." [Lot]



Piglet Gets Ready For The Party

Piglet gets ready for the party.

"This Shepard drawing is a later version of that reproduced on page 149 of Winnie-the-Pooh from the final chapter of the book in which Christopher Robin gives a Pooh party." [Lot]



The Bath a

The Bath



The Bath b

The Bathmat

Christopher Robin gave a deep sigh... At the door he
turned and said, "Coming to see me have my bath?"

"These original illustrations are reproduced on pages 19 and viii respectively of Winnie-the-Pooh." [Lot]



The Friend

The Friend

"When offered at auction in May 1998 it was noted that a previous owner had typed the verse 'The Friend' (from Now We Are Six) and attached it to the back of the original frame (now destroyed). That poem notes that 'lots and lots of people... are always asking things' and Winnie-the-Pooh is a companion or confidant when confronted with these general knowledge questions. The published illustration shows Christopher Robin with Winnie-the-Pooh and, probably, a writing slate.

The idea of friendship through letter-writing is therefore not present in the poem and the illustration offered here may comprise an earlier illustration before Shepard had read Milne's verse." [Lot]



The Pooh Cook Book Preparatory Sketch a


The Pooh Cook Book Preparatory Sketch b

The Pooh Cook Book Preparatory Sketch(es)

"This preparatory sketch includes the reverse of the leaf prepared with pencil rubbing for transfer of outlines. The Pooh Cook Book, "inspired by" the A.A. Milne stories was written by Katie Stewart and published by Methuen in 1971. It was later renamed The Pooh Corner Cook Book." [Lot]



The Search for Small a

Very Small Beetle exercising round a gorse-bush



The Search for Small b

"Pooh!" he cried. "There's something climbing up your back."

"These original illustrations are reproduced on pages 52 and 47 respectively of The House at Pooh Corner. They both come from the chapter in which a search for Small is 'organdized'." [Lot]



Then They Went On To  Kanga's House, Holding On To Each Other.

"..then they went on to Kanga's house, holding on to each other.."

"This original illustration was reproduced on page 129 of The House at Pooh Corner and is from the chapter in which Piglet does a very grand thing. It shows Pooh and Piglet walking against the wind on the way to Kanga's house." [Lot]



When Christopher Robin Had Nailed It On Its Right Place

"...and when Christopher Robin had nailed it on in its
right place again, Eeyore frisked about the forest..."

"This original illustration is reproduced on page 52 of Winnie-the-Pooh. It is from the chapter in which Eeyore loses a tail and Pooh finds one." [Lot]



Wind on the Hill

Tailpiece illustration to AA Milne's 'Wind on the Hill'

"...But if I stopped holding
The string of my kite,
It would blow with the wind
For a day and a night..." [Lot]



Winnie-the-Pooh -- Two Preparatory Sketches

"As soon as he got home, he went to the larder; and he stood on a
chair, and took down a very large jar of honey from the top shelf."

"These preparatory sketches reveal Shepard's typical working practice with the reverse of the leaf prepared with pencil rubbing for transfer of outlines. The images show some heavy pencil markings where Shepard has heavily pressed down on his pencil for the process. The images are early since the spelling of Hunny has not yet been adopted within the illustration." [Lot]



Winnie-the-Pooh Lived In A Forest All By Himself Under The Name Of Sanders.

"...Winnie-the-Pooh lived in a forest all by himself under the name of Sanders.
"What does 'under the name' mean?" asked Christopher Robin.
"It means he had the name over the door in gold letters, and lived under it..."

"This original illustration is reproduced on page 3 of Winnie-the-Pooh and therefore accompanies the chapter in which Winnie-the-Pooh is first introduced." [Lot]



Preparatory Sketch-Map for Endpapers Of Winnie-the-Pooh

Preparatory sketch-map for endpapers of Winnie the Pooh.

"This is a preparatory drawing for the sketch-map reproduced on the endpapers of Winnie-the-Pooh and therefore one of the most celebrated locations in children's literature. Although the geography was not revised, several captions were evidently changed. 'Eeyores Gloomy Place' was originally 'Eeyores Pasture Land' and the 'Floody Place' was originally captioned 'Floods Might Happen Here'. Shepard also poses the question 'What sort of House is Kangas?' at the top of the map. The caption at the foot originally appeared as 'Drawn by Me helped by Mr Shepard' and shows a process of revision to 'Drawn by Me and Mr Shepard helped'. It was printed as 'Drawn by Me and Mr Shepard helpd'." [Lot]



pooh tigger and piglet at a table

(A version of-) 'Tiggers don't like Honey'
Oval pencil drawing of Winnie-the-Pooh, Tigger and Piglet sold on November 4, 2008 for £31200.


[click on any image - except the last - for a larger version]


All illustrations are by EH Shepard. {It is more probable than likely that they remain protected by copyright although I'm not sure I can determine just who (or which entity) owns those rights; nor am I sure what the extent of those rights might be. Suffice it to say that I accept that a variety of entities have a potential interest, and it is possible that this post may be removed if valid objections are raised. A wise man once told me that regions of universal harmony can be generated within the confluence of homage, fair use and free publicity, however. I'm banking on his having been sober at the time.}


These delightful illustrations are from the Sotheby's catalogue - click 'browse catalogue' - pertaining to the auction of forty two items, 'That sort of Bear': E.H. Shepard's Winnie-the-Pooh From the Collections of Stanley J Seeger and Christopher Cone, which will be held at New Bond Street in London on 17th December, 2008.

Ernest Howard Shepard (1879-1976) was born in London and encouraged to draw from a young age by his artist mother. He won a scholarship to the Royal Academy at the age of eighteen.

In the early years of the 20th century Shepard achieved some success with illustrated editions of Dickens and Aesop's fables. By 1907, Punch Magazine had accepted some of his drawings for publication although he wasn't a permanent Punch employee until 1921. He would remain there for more than thirty years.

In WWI, Shepard earned a Military Cross for bravery during service with the Royal Artillery in France and Belgium but he continued to sketch humorous vignettes which he submitted to Punch. In the 1920s, he was introduced to Alan (AA) Milne who reluctantly commissioned Shepard to do some line drawings for a children's book he had written. And the rest, as they say, is history.

Shepard and Milne were never particularly close but their collaboration on the four books - 'When We Were Very Young' (1924); 'Winnie the Pooh' (1926); 'Now We Are Six' (1927) and 'The House at Pooh Corner' (1928) - ensured that their names would be associated for eternity. Characters included Christopher Robin, Winnie the Pooh, Tigger, Eeyore, Piglet, Owl, Rabbit and Kanga.

The character of Winnie the Pooh was based on Milne's son's (Christopher) teddy bear, but the drawings were inspired by a toy bear named Growler, belonging to Shepard's own son. Growler would be mauled to death by a neighbour's dog, but Christopher's bear (and other stuffed Winnie the Pooh animals) circuitously made their way to the New York Public Library where I believe they still live. Late in life, Shepard was said to have voiced some resentment that the "silly old bear" had overshadowed his other illustration work, but he had expressed his fondness for the characters on many more occasions, so this phrase may have been more affectionate than has been reported*.

Although he pursued book and magazine illustration all through his life, Shepard's most notable work, beyond the AA Milne quartet, were the line drawings he produced for Kenneth Grahame's 'The Wind in the Willows', published in 1931.

I have taken the liberty of cleaning up all the images above (except for the map) which may have included removing some original ink splatters and charcoal or pencil smudging. Nothing too drastic, but they look better this way. I was surprised to find myself smiling often during the process. These simple line drawings retain an innocent magic about them and bring back fond childhood memories. There are a couple more drawings in the flickr set not seen above.